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We have come to place music into two broad categories; that of New Music and that of Traditional Music. Music before the turn of the century has arrive at be thought of because the Traditional. This Traditional Music gets lumped together in what most people make reference to as Classical. This classification is indeed well fixed in people's minds that even traditional rock music is known as Classic Rock.
The so called Classical Music is truly about three different periods that were all different inside their practice. Nevertheless, there are some differences in the music after the turn of the century which are distinctive enough to warrant the label of New Music.
Prior to the turn of the century, all music was'goal oriented'or'tonal,' and thus there is one chord in this composition that has been the goal or resting point of the music's chord progression. When this chord was reached, the music sounded finished and the music wouldn't sound finished until this chord was reached. Hence this chord would show-up at the very end of the music but in addition at the ends of most phrases or melodies, pretty much. It wouldn't be the same chord for every single piece of music but would depend on the'key'of the music. That's the meaning of'key.' If a bit of music is in the'key of C,' then the chord it must end on is C. A work in the'key of G'would end on G and so forth.
Well. after having a century roughly, composers got the itch to test something new and so we find the initial samples of the New Music. Claude Debussy has often been called the'Father of Modern Music,' and his works began to create tonality ambiguous by employing other kinds of scales like the Whole Tone Scale.
Some composers went beyond this and tossed out tonality all together. Probably the most notable exemplory case of this is the Serial Music composed by Arnold Schoenberg. Serial Music used a range of twelve tones (rather than the original eight) and studiously avoided any note/chord relationship. Various other composers like John Cage created the thing that was called'Chance Music,' where in fact the notes in the piece were determined by the throw of dice.
Meanwhile, only at that same time, jazz was being made. Jazz and Blues returned to tonality with a vengeance. However there have been a number of other elements added that qualified this as New Music. The difference in instrumentation, with the electric guitar and the greatly expanded role of the drums were certainly issues that hadn't gone on before and so the birth of jazz and its development into the pop of today certainly fits into the sounding New Music.For more information kindly visit داناود موزیک جدید
The so called Classical Music is truly about three different periods that were all different inside their practice. Nevertheless, there are some differences in the music after the turn of the century which are distinctive enough to warrant the label of New Music.
Prior to the turn of the century, all music was'goal oriented'or'tonal,' and thus there is one chord in this composition that has been the goal or resting point of the music's chord progression. When this chord was reached, the music sounded finished and the music wouldn't sound finished until this chord was reached. Hence this chord would show-up at the very end of the music but in addition at the ends of most phrases or melodies, pretty much. It wouldn't be the same chord for every single piece of music but would depend on the'key'of the music. That's the meaning of'key.' If a bit of music is in the'key of C,' then the chord it must end on is C. A work in the'key of G'would end on G and so forth.
Well. after having a century roughly, composers got the itch to test something new and so we find the initial samples of the New Music. Claude Debussy has often been called the'Father of Modern Music,' and his works began to create tonality ambiguous by employing other kinds of scales like the Whole Tone Scale.
Some composers went beyond this and tossed out tonality all together. Probably the most notable exemplory case of this is the Serial Music composed by Arnold Schoenberg. Serial Music used a range of twelve tones (rather than the original eight) and studiously avoided any note/chord relationship. Various other composers like John Cage created the thing that was called'Chance Music,' where in fact the notes in the piece were determined by the throw of dice.
Meanwhile, only at that same time, jazz was being made. Jazz and Blues returned to tonality with a vengeance. However there have been a number of other elements added that qualified this as New Music. The difference in instrumentation, with the electric guitar and the greatly expanded role of the drums were certainly issues that hadn't gone on before and so the birth of jazz and its development into the pop of today certainly fits into the sounding New Music.For more information kindly visit داناود موزیک جدید